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The equation of reading with morally positive effects the neoliberal model of eating well and doing exercise.
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Many good people never got to learn how to read.
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The incredible immersion in the minds of others is something I wouldn’t be able to live without, but I’d push against the notion that it is valuable for a kind of portable empathy that makes us better people. The idea that literature’s ethical values stem from its ability to produce empathy has become the be-all and end-all of how we talk about it.
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The Guardian interviews Namwali Serpell, who won the Clarke Award in 2020: “Namwali Serpell: ‘I find uncertainty compelling in literature’”.Īs a critic, you’ve been sceptical about how we tend to construe literary value, not least in your 2019 essay The Banality of Empathy. If you’ve never heard David Bratman speaking about Tolkien and other mythopoeic figures, don’t miss the opportunity to at least read the text of his GOH Speech, hosted on the Southwestern Oklahoma State University site.Īnd you can listen to Rivera Sun’s GoH speech in a video here. Rivera Sun and David Bratman were the Author and Scholar guests of honor, respectively, at Mythcon 52 in Albuquerque, New Mexico. The Equal Rights Amendment entered the Constitution thanks to the prominence of female astronauts, electric cars are readily available thanks to investments in technology, and the Soviet Union never collapsed…. The larger powers have wound down their military snafus in Vietnam and Afghanistan to focus on building military bases on the moon. Sounds pretty good, right? But over the course of the season, For All Mankind shows how even if the utopianism of the actual ’90s could have been translated into reality, we couldn’t have left our problems behind.īy the third season, For All Mankind’s alternate history has moved leaps and bounds beyond where our ’90s found us. In this alternate space-focused timeline, the go-go ’90s are filled with electric cars, videophones, and moon-mining. If the real ’90s were driven by a techno-optimism, For All Mankind explores an idea of what a utopian America driven by technology would actually look like. Polygon’s article “For All Mankind season 3 showed how hard Star Trek’s utopia is to achieve” is a spoiler-filled summary of the show, but also a good way to catch up if you haven’t been watching.Īfter two seasons of an extended Cold War, For All Mankind moved into the technology boom of the ’90s.
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Presumably, a large part of the explanation is that there are more readers of free online fiction than of paid subscription magazines, which is attractive to authors and probably also helps with voter attention for the Hugo, Nebula, and World Fantasy awards. Contrast this year’s ranking with the ranking from 2014, which had Asimov’s and F&SF on top by a wide margin. The ratings are followed by various observations, for example:įor the past several years it has been clear that the classic “big three” print magazines - Asimov’s, F&SF, and Analog - are slowly being displaced in influence by the four leading free online magazines, Tor.com, Clarkesworld, Lightspeed, and Uncanny (all founded 2006-2014).
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Given the ten-year-window, anthologies still comprise about half the weight of the rankings overall. Also, with the death of Dozois in 2018, the cessation of the Strahan anthology, and the delay of the Horton and Clarke anthologies, the 2022 year includes only one new anthology source: Adams 2021. (2a.) Methodological notes for 2022: Starting this year, I swapped the Sturgeon for the Eugie award for all award years 2013-2022. (2.) I gave each magazine one point for each story nominated for a Hugo, Nebula, Sturgeon, or World Fantasy Award in the past ten years one point for each story appearance in any of the Dozois, Horton, Strahan, Clarke, or Adams “year’s best” anthologies and half a point for each story appearing in the short story or novelette category of the annual Locus Recommended list. The scoring is done in the following way: (1) WHO IS NUMBER ONE? At The Splintered Mind, Eric Schwitzgebel continues his annual ratings with the “Top Science Fiction and Fantasy Magazines 2022”.